Includes bibliographical references (p. -544) and indexes.
|Series||History of the American cinema ;, v. 1|
|LC Classifications||PN1993.5.U6 H55 1990 vol. 1, PN1995.75 H55 1990 vol. 1|
|The Physical Object|
|Pagination||xvii, 613 p. :|
|Number of Pages||613|
|LC Control Number||90048307|
The Paperback of the The Emergence of Cinema: The American Screen to by Charles Musser at Barnes & Noble. FREE Shipping on $35 or more! Due to Author: Charles Musser. The Emergence of Cinema The American Screen to by Charles Musser (Author) May ; First Edition; Paperback $, £; Series History of the American Cinema; Title Details. Rights: Available worldwide Pages: 3 ISBN: Trim Size: 7 x This book, the first in a multivolume history of American film, looks at the initial twelve years of projected motion pictures and their aural accompaniment - from to the fall of /5(48). The Emergence of Cinema: The American Screen to The origins of motion picture technologies are described and analyzed by Charles Musser in this lavishly illustrated volume. He considers social and economic as well as aesthetic aspects of the beginnings of movie making.4/5(2).
The Emergence of Cinema: The American Screen to Charles Musser The origins of motion picture technologies are described and analyzed by Charles Musser in this lavishly illustrated volume. The book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries. Its comparative angle ranges from the Medieval and Baroque period to the visual and stylistic experimentations of the Romantic age, in the prose of Anne Radcliffe, the experiments of Friedrich Schlegel, and in Wordsworth’s Prelude. From the Back Cover. This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish made films. The book offers readings of a wide range of key films such as "The Butcher Boy" (), "Patriot Games" () and "Angela's Ashes" ().Cited by: The Emergence of Cinema: The American Screen to Charles Musser: Books - 5/5(1).
The final, definitive version of this paper has been published in Ravi Sundaram (ed.), NO LIMITS: MEDIA STUDIES FROM INDIA, August by Oxford University Press. Mary Ann Doane, author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive. “Daniel Morgan charts a sensible route into the impenetrable Jean-Luc Godard. Posing clear yet insistent questions, he burrows to the center of both parts of this book’s formidable title, finding in late Godard an aesthetic fusion that generates the light and heat of a trenchant and powerful political critique. His book The Emergence of Cinema: The American Screen to () received the Jay Leyda Prize in Cinema Studies, the Theater Library Association Award for best book on Film, TV and Radio, the Katherine Singer Kovacs Prize for outstanding book in Media Studies and other awards. The Emergence of Pre-Cinema is an elegant combination of philosophy, science, cultural materialism, and close reading, culminating in strikingly fresh readings of works by Ann Radcliffe and William Wordsworth. The book will be not only of interest to students of British Romanticism but to all who wish to trace the emergence of modernity in a Format: Capa dura.